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Quote:
Originally Posted by Jesters-Ink
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Ah those were the days hey Supah  , but he is right.
Once you get rid of the confines of drawing everything in lines and using tone instead, you will start to throw away the "painting by numbers" technique and enjoy the "painting with light" technique.
This is the way the eye sees things and so fools the eye with ease.
Once you start, the rest becomes that much easier. |
You talking to me handsome stranger?
Another hint Phas3e, look at shadows on real planes, highlights too. They are never a one piece affair. They're often built up out of a weak diffuse highlight/shadow that reaches further onto the subject and a stronger highlight near the edge of an object
